Treasures of the Gypsy Challenge

Birdcage repainted
 & highlighted

This year the Treasures of the Gypsy Challenge was "Charmed and Mystical Gypsy". The dolls are displayed and judged at the Houston International Quilt Show. The gypsy doll I created for the challenge was actually the first birdcage doll I made, however I couldn't show her until the judging was over. Unfortunately I couldn't attend the show this year, but I'm honored to say my doll was awarded Judge's Choice. I've detailed some of the progress in creating this doll. The head was actually the head I sculpted in Diane Keeler's workshop. She had just been one of the many "heads on sticks" in my studio until I decided to use her for this doll. I didn't have much time to create the doll as I didn't sign up for the challenge until the end of July and they had to be mailed to Houston in September. I removed all of the previous face and eye painting and repainted the face to more represent a gypsy. (She was previously blue-eyed). I had the birdcage on hand, I'd found it at Michaels in the garden decor aisle. The charms are from Michaels as well, most of them from Susan Lenart Kazmir's Industrial Chic line.



Attached to cage
Starting to clothe



Adding puff netting sleeves

Using ribbon for corset

Eyelets & mini brads for vest & shirt

With trims added front

Back view with trims

She has hair!

Crinkled hair



Close up of cage with charms inside

Finished doll prior to shipping

Close up finished Gypsy

Charmed & Mystical Gypsy on Display at Houston Quilt Show prior to judging

 

Here is the information for next year's challenge:

The 2013 Treasures of Gypsy Challenge: The Masquerade Ball

Announcing the Treasures of the Gypsy Challenge 2013: Magical Mystical Gypsy. If you would like to participate, send $25.00 US to Treasures of the Gypsy, P.O. Box 748, Mountainair, NM 87036.



Components Bought

Industrial Glam Necklace
     A few months ago I had the honor of being asked to create a piece for Michaels October Jewelry Month Showcase. They wanted me to use Susan Lenart Kazmir's Industrial Chic line as the basis for my piece. I was thrilled to be able to use my friend Susan's pieces, as it fits my style so well. Her new components add a bit of glitter and glam to her usual industrial look.   I let them guide me for the theme of this necklace. I loved the stark contrast of the rhinestones and glitter with the industrial metal edge.I added beads from the Bead Gallery line to complete the necklace in my steampunk style.  I created a piece that is now one of my very favorites - freeform & asymmetrial.
     Here is the supply list and the finished piece on Michaels website for the Industrial Glam Necklace. The instructions are also there, but I've included extra step-out images to help make it easier for you to create your own version.

   

    Use Chain with Glass Beads and Stones for one side of necklace. Measure and cut plain chain to desired length. Attach plain chain to chain with beads and stones. Attach Lobster Clasp to plain chain. Loop on other chain will serve as link.

Condition thread and thread needle. Attach to chain link as show in picture. Randomly string metal plated multi-color round beads and weave in and out of the chain.

 

 

    Once you have a base of metal beads, start incorporating the glass beads.

      Tie off strands and secure with knots when you run out of thread. Start next strand in previous method, securing on chain.

 

 

 

 

 

 

 

Continue building base, and begin adding metal donuts, weaving beads and strands to secure.

 

 

   Start adding charm components, weaving in more metal beads and strands.

    Continue building necklace, constantly holding up to neck in front of mirror to make sure it hangs properly.

    Add keys and other dangling charms by the same method.

Continue adding beads and components until you are pleased with the results.
I left one chain without any embellishment, as I loved the asymmetry that broke up the regular flow of the necklace.

Two Less Heads on Sticks

I love to sculpt faces and I generally have several "heads on sticks" (sculpted heads on dowels) sticking in the tool holder or in the paintbrush basin on my studio table. Sometimes it takes me a while to get around to completing the dolls.

Professor Pocus changed so many times from the original concept (and his head had been around my studio for a couple of years). Originally I intended to do a European style hobo clown holding a skeletal umbrella. The idea was to put him in the guest room when I had it painted. I sculpted his head, hands and feet and there he sat in that state for over a year.

Then I had the idea to use him in a box, he was going to be a magician with a top hat with a rabbit coming out of the top of the hat on his head. I began working on the box...but...that's not really what he wanted to be either.

The box took on a more rustic look and I added the great feet by Tim Holtz. The box dictated that he be more of the traveling snake oil salesman, so I started working on that concept.

I was doing his body out of a piece of 2x4. I drilled and glued and attached his hands, arms and head. Again it sat, not quite coming together.

Last month when the gals were over for our monthly art play day, I got the idea to carve out the center of the 2x4. I dug out my handcarving tools and started working on hollowing out the center. (Husband asked why I didn't just go out to his shop and use the power tools - heck, it was 104 degrees that day & it is an uninsulated metal building).

Once I carved out the center, he began coming together quickly. I used grunge board and dies to cut gears. I painted them and added them inside the 2x4. I also used Tim's sprocket gears. I decoupaged pages from an old book on the top hat and dressed him with mulberry paper. I found the perfect item in my stash for him to hold, one of the Industrial Chic pieces I had picked up from Michaels several months ago.

So now I'm proud to introduce Professor Pocus & his Traveling Magic Show.

The other head on a stick that had been sitting around my studio was done with an air-dry clay that I was testing (I love this stuff - I do hope it becomes available soon). I decided that I wanted a cloth doll for this one, so I got out one of my Patti Culea books, Creative Cloth Doll Couture and used the pattern from it. I made the doll body and it was too small. I had to enlarge the pattern. The second doll was much better sized.

I gessoed the doll and painted her with Tim Holtz crackle paint. I used distress inks to enhance the crackles and to give her some aged character. I choose old laces to dress her and created her boots, skirt and belt from ostriche hide. I liked the hat that I'd done for the professor so much that I took rusted sewing patterns and stamped on them to decoupage on her hat. I added a Boutique Fleur flower from the Recollections collection with lace to trim her hat. I haven't decided on a name yet...any ideas?

Mini Bead Retreat

Since our friend, Lisa couldn't get into the Texas Bead Retreat back in January, we decided to do our own mini bead retreat. Originally we were going to head to a little town about 45 minutes north of here & stay in a hotel (suite room). Well, plans changed & we wanted to save money, so we had our mini bead retreat at my house (much cheaper & we were able to fix nice meals). We enjoyed beading, great company, good food, wine, music and movies. We're already talking about when we can get together and do another one. I'm so lucky to have such great, like-minded friends. I was able to make/finish 2 pieces at the retreat (I did have the base for the bracelet done in advance, though). The necklace uses Tim Holtz Key Plates & Keys. I've planned on doing a necklace with these for a while (especially after the success of my sprocket gear pieces).  The bracelet combines the new Industrial Chic line (from Susan Lenart Kazmer, available at Michaels) with Tokens typewriter key charms that I bought on clearance at Michaels earlier this year. I really like the steampunk style - it suits me and my eclectic style.